Project Details
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Global Theatre Histories: Modernization and the emergence of a transnational public sphere (1860-1960).

Subject Area Theatre and Media Studies
Term from 2009 to 2016
Project identifier Deutsche Forschungsgemeinschaft (DFG) - Project number 101414069
 
Final Report Year 2017

Final Report Abstract

No abstract available

Publications

  • “Die Proliferation der dramatischen Gattungen im 19. Jahrhundert.” In Handbuch Drama. Theorie, Analyse, Geschichte. Edited by Peter W. Marx. Stuttgart: J.B. Metzler, 2012
    Leonhardt, Nic
    (See online at https://doi.org/10.1007/978-3-476-00512-0_28)
  • “Històrias Globais do Teatro: modernização, esfera pública e redes teatrais transnacionais.” In Rotas de Teatro entre Portugal e Brasil. Edited by Maria H. Werneck and Angela d. Castro Reis, 203–19. Rio de Janeiro: 7 Letras, 2012
    Balme, Christopher
  • “Theatrical Translation as Modernization in the First Age of Globalization.” In Translation. Narration, Media and the Staging of Differences. Edited by Michael Roessner and Federico Italiano, 103–20. Bielefeld: transcript, 2012
    Balme, Christopher
    (See online at https://doi.org/10.14361/transcript.9783839424582.103)
  • Derek Walcott. The journeyman years: occasional prose 1957-1974. Cross/Cultures 172. Amsterdam, Netherlands, New York: Rodopi, 2013
    Christopher Balme and Gordon Collier, eds.
    (See online at https://doi.org/10.1163/9789401210072)
  • “A Hop, A Frock, A Hairdo: Irene Castle and her Female Networks of Theatrical Business.” Popular Entertainment Studies 4, no. 1 (2013): 50–63
    Leonhardt, Nic
  • “Derek Walcott and the Search for a Caribbean National Theatre.” In The journeyman years occasional prose 1957-1974. Edited by Christopher Balme and Gordon Collier, ix–xxx. Cross/Cultures 172. Amsterdam, Netherlands, New York: Rodopi, 2013
    Balme, Christopher
    (See online at https://doi.org/10.1163/9789401210072_001)
  • “Sustaining the Theatrical Public Sphere: Challenges and Perspectives.” In Africa and beyond: Arts and sustainable development. Edited by Patrick Ebewo, 52–68. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013
    Balme, Christopher
  • “Theater als Kulturindustrie: Globale Perspektiven in einer reflexiven Moderne.” In Theater entwickeln und planen: Kulturpolitische Konzeptionen zur Reform der darstellenden Künste. Edited by Wolfgang Schneider, 33–55. Postcolonial Studies 61. Bielefeld: transcript 2013
    Balme, Christopher
    (See online at https://doi.org/10.14361/transcript.9783839425725.33)
  • Sounding Modernities: Theatre and Music in Manila and the Asia Pacific (1869 - 1946). Dissertation, Theatre Studies Department, Ludwig-Maximilians-University, 2014
    Yamomo, meLê
  • The theatrical public sphere. Cambridge, New York: Cambridge University Press, 2014
    Balme, Christopher
    (See online at https://doi.org/10.1017/CBO9781139051668)
  • The Tropic Trapeze: Circus in Colonial India. Dissertation, Theatre Studies Department, Ludwig-Maximilians-University, 2014
    Ghosh, Anirban
  • “Theatre and Modernisation in the First Age of Globalisation: The Cairo Opera House.” In Syncretic arenas essays on postcolonial African drama and theatre: For Esiaba Irobi. Edited by Isidore Diala, 141–58. Cross/Cultures 177. Amsterdam [u.a.]:Rodopi, 2014
    Balme, Christopher
    (See online at https://doi.org/10.1163/9789401211802_015)
  • “Theatrescapes: Global Media and Translocal Publics (1850-1950).” Conference report
    Dupré, Johanna, Rashna Nicholson und Marija Djokic
  • “Transatlantic Theatrical Traces. Sketches of Oceanic Trade Routes and Globe-Trotting Amusement Explorers.” In The Passing Show. Vol. 30. Edited by Shubert Archive, 2–23., 2014
    Leonhardt, Nic
  • “’His means are in supposition’: Shakespeare and the beginnings of the global theatre trade.” Shakespeare Jahrbuch 2014, no. 150: 111–27
    Balme, Christopher
  • The Bayreuth Enterprise. 1848-1914. Dissertation, Theatre Studies Department, Ludwig- Maximilians-University, January 15, 2015
    Tögl, Gero
  • “'From the Land of the White Elephant through the Gay Cities of Europe and America' - Rerouting the World Tour of the Boosra Mahin Siamese Theatre Troupe (1900).” Theatre Research International 2, no. 2 (2015): 140–55
    Leonhardt, Nic
    (See online at https://doi.org/10.1017/S0307883315000024)
  • “Brokering Sonic Modernities: Migrant Manila Musicians in the Asia Pacific, 1881-1948.” Popular Entertainment Studies 6, no. 2 (2015): 22–37
    Yamomo, meLê
  • “Kommen und Gehen am Gärtnerplatz: Die Spielstätte im 19. Jahrhundert als Umschlagplatz für Theatervielfalt aus aller Welt.” In ‚Dem Volk zur Lust und zum Gedeihen’. 150 Jahre Gärtnerplatztheater. Edited by Stephan Frey, Leipzig: Henschel, 2015
    Leonhardt, Nic
  • “Managing Theatre and Cinema in Colonial India: Maurice E. Bandmann, J.F. Madan and the War Films’ Controversy.” Popular Entertainment Studies 6, no. 2 (2015): 6–21
    Balme, Christopher
    (See online at https://doi.org/10.5282/ubm/epub.39862)
  • “Negotiating the Entertainment Business: Theatrical Brokers at the Turn of the 20th Century: Focus Issue.” Special issue, Popular Entertainment Studies 6, no. 2 (2015)
    Leonhardt, Nic, ed.
  • “The Bandmann Circuit: Theatrical Networks in the First Age of Globalization.” Theatre Research International 40, no. 01 (2015): 19–36
    Balme, Christopher
    (See online at https://doi.org/10.1017/S0307883314000546)
  • „Erlebnis, Erfahrung, Experiment. 3D als idée fixe in Theater und Medien“, in: Bernd Stiegler (Hg.): 3D. (AugenBlick. Konstanzer Hefte zur Medienwissenschaft). Heft 62/63, August. Marburg: Schüren 2015, S. 17-35
    Leonhardt, Nic
    (See online at https://doi.org/10.25969/mediarep/3620.)
  • Durch Blicke im Bild. Stereoskopie im 19. und frühen 20. Jahrhundert. Berlin: Neofelis 2016
    Leonhardt, Nic
  • “Die erste Jockey-Reiterin der Welt, aus Süd-Amerika: Rosita de la Plata, Global Imaginaries and the Media.” Journal of Global Theatre History 1, no. 2 (2016)
    Dupré, Johanna
    (See online at https://doi.org/10.5282/gthj/5033)
  • “Editorial. Theatrescapes. Global Media and Translocal Publics”. Special issue, Journal of Global Theatre History 1, no.2 (2016), III-IV
    Leonhardt, Nic
    (See online at https://doi.org/10.5282/gthj/5039)
  • “Introduction: Theatrical Trade Routes.” In “Theatrical Trade Routes.” Edited by Christopher Balme and Nic Leonhardt. Special issue, Journal of Global Theatre History 1, no. 1 (2016): 1–9
    Leonhardt, Nic, Christopher Balme
    (See online at https://doi.org/10.5282/gthj/5020)
  • “Introduction: Theatrical Trade Routes.” In “Theatrical Trade Routes.” Edited by Christopher Balme and Nic Leonhardt. Special issue, Journal of Global Theatre History 1, no. 1 (2016): 1–9. Accessed December 13, 2016
    Balme, Christopher, and Nic Leonhardt
    (See online at https://doi.org/10.5282/gthj/5020)
  • “Maurice E. Bandmann and the Beginnings of a Global Theatre Trade.” In “Theatrical Trade Routes.” Edited by Christopher Balme and Nic Leonhardt. Special issue, Journal of Global Theatre History 1, no. 1 (2016): 34–45
    Balme, Christopher
    (See online at https://doi.org/10.5282/gthj/5019)
  • “The Local Otherness: Theatre Houses in the United Arab Emirates.” Arab Stages Journal 2, no. 2 (2016)
    Ziad, Adwan
  • “The Opera House in Damascus and the ‘State of Exception’ in Syria.” New Theatre Quarterly 32:3 (August 2016): 231-243
    Ziad, Adwan
    (See online at https://doi.org/10.1017/S0266464X1600021X)
  • “Theatrical Trade Routes.” Special issue, Journal of Global Theatre History 1, no. 1 (2016)
    Balme, Christopher, and Nic Leonhardt, eds.
    (See online at https://doi.org/10.5282/gthj/2016-1)
  • Theatre, Globalization and the Cold War. London: Palgrave Macmillan, 2017
    Balme, Christopher and Berenika Szymanski-Düll, eds.
    (See online at https://doi.org/10.1007/978-3-319-48084-8)
  • “Manila and the World Dance Space: Nationalism and Globalization in Cold War Philippines and Southeast Asia.” In Theatre, Globalization and the Cold War. Edited by Christopher Balme and Berenika Szymanski-Düll. London: Palgrave Macmillan, 2017, p.307-324
    Yamomo, meLê, and Steve Villaruz
    (See online at https://doi.org/10.1007/978-3-319-48084-8_18)
  • “Medializing Race: Uncle Tom’s Cabin in Colonial Southeast Asia.” In The Transnational Histories of Uncle Tom’s Cabin. Edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: University of Michigan Press, 2018. S. 258-282
    Yamomo, meLê
 
 

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