Project Details
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Assembling Iran’s Urban Heritage Conservation Policy and Practice: Problematised in Tehran

Subject Area City Planning, Spatial Planning, Transportation and Infrastructure Planning, Landscape Planning
Term from 2019 to 2023
Project identifier Deutsche Forschungsgemeinschaft (DFG) - Project number 431496196
 
Final Report Year 2023

Final Report Abstract

The project's outcomes feature empirically studied cases bridging urban planning, conservation, and heritage studies. Employing assemblage theory, it contributes to the current mainstream literature of heritage studies that focuses on discourse-analysis. Notably, the project acknowledges the nexus of heritage studies and assemblage thinking. An analysis of ideological, bureaucratic, economic, and spatial-material elements is undertaken to comprehend the unfolding of conservation projects in Tehran and beyond. The project provides a map highlighting the key human and non-human actors and underlines their consistent behaviour in inter-acting with each other. Paying attention to the informal connections and the formal relationships of the involved actors and following recurring patterns of behaviour among them, a tendency within the assemblage becomes clear: The actors form a discursive-spatial assemblage that tends to knock down its accumulated re-sources. Although the investigation is done without preconceived assumptions and rely mainly on empirical observations, the results turn out interestingly to be in line with Katouzian's (2004) portrayal of Iran as a pick-axe society. Residing within this society, the studied assemblage strives to deconstruct the prevailing structures and usher in a fresh one, paradoxically perpetuating the very cycle it seeks to escape. Despite highlighting the impact of ideological rigidity, the project comes to a surprising conclusion: the primary challenge of heritage planning in Tehran and beyond lies not in the dominance of a rigid Authorized Heritage Discourse, but rather in the absence of stable and solid enough discursivespatial and administrative structures. An interesting pattern of behaviour of the reformist urban administrations in Tehran shows a tendency to use ‘boundary objects’ to blur the tension along the clashing identity discourses and conflicts over Tehran’s public space. In this research, boundary objects encompass mediating elements like open urban spaces, the city council and municipality's Instagram platforms, non-governmental influencers on social media, museums, as well as songs and movies. Through the strategic use of boundary objects, reformist planners, for instance, blended the nostalgia of Tehran's general public for the Pahlavi era with the historical narratives of the Qajar period and the Islamic Revolutionary identity of the 1980s. The application of boundary objects has undergone a remarkable shift towards the conclusion of each reformist administration and the commencement of conservative administrations, affirming the observed pick-axe society model.

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