Project Details
Towards a Husserlian View of Perceptual Content and Justification
Applicant
Professor Dr. Christian Beyer
Subject Area
Theoretical Philosophy
History of Philosophy
History of Philosophy
Term
since 2025
Project identifier
Deutsche Forschungsgemeinschaft (DFG) - Project number 569118221
John McDowell has forcefully argued that there is an “intolerable oscillation” between a coherentist view of perceptual justification, on the one hand, and an appeal to the “Myth of the Given” in order to account for “the world’s impressions on our senses” (McDowell 1994, 18) on the other. The current project aims to elaborate a solution to McDowell’s oscillation problem based upon a (content) externalist and (epistemologically) coherentist reconstruction of Edmund Husserl’s transcendental-phenomenological conception of mental (intentional) content and perceptual justification, respectively. Roughly speaking, externalism claims that meanings or contents “ain’t in the head” (Putnam) but depend on the perceived surrounding world. Coherentism is the thesis that epistemic justification is not linear but holistic, deriving from the total belief-system and its (degree of) coherence. The following questions will be addressed: What is the relationship between Husserl’s transcendental phenomenology and traditional epistemology? What do Husserl's methods of “transcendental epoché” and “reduction” amount to, are they compatible with and possibly even lead to a (non-naïve) externalism with regard to intentional contents? Does Husserl's argument for “transcendental idealism” contain a kernel of truth that could be reconstructed epistemologically? Does Husserl have a coherentist (or rather a foundationalist) view of perceptual justification? What is the relationship between what he calls passive sensual experience, sensual hyle and perceptual object? At which level is it reasonable to assign veridicality conditions and to speak of perceptual objectivity? Is Husserl’s account of active perception and perceptual judgment in terms of “categorial synthesis” fundamentally flawed? What does it mean for something to “motivate” a perceptual judgment in such a way that this judgment is epistemically justified? How does the solution to McDowell’s oscillation problem that emerges from these considerations look like, and how convincing is it, also compared to McDowell’s own solution?
DFG Programme
Research Grants
